you already know how this ends

the bear is starving

but still massive

still full of teeth

still ready to tear something apart.

the ice drips off its back

like a bad joke,

melting down into the graffiti,

into the tags no one will remember.

somewhere, a man in a suit

counts money,

while the sky burns itself out

and the water keeps rising.

you can scream about it,

write a poem, paint a wall—

but the bear is still starving

while the world plays dead.

Miami Beach, Florida

Vogue Cleaners, 10 PM

Vogue Cleaners, 10 PM

The neon flickers,

hums like it’s thinking about dying.

Inside, rows of forgotten lives
hang stiff and silent,

waiting for owners
who aren’t coming back.

A wedding dress, its veil untouched,

waits as if time might change its mind.

Beside it, a funeral suit,
still stiff
with a grief long spent.
A stuffed rabbit, its fur worn thin,
listens for the voice of its missing kid-

A priest’s robe with a flask

tucked in the folds,
a scarf still reeking of cheap perfume,
a tuxedo waiting for a night that has passed,
a silk dress with a bullet hole.

In their pockets
a phone number, a pressed flower,
a lottery ticket never checked,
a note unread,
an unopened pack of gum—

small, unspoken losses

filed neatly among the starch and steam.

Nobody asks questions

at the cleaners -
some stories don’t get endings,

just receipts nobody claims-
the winter coat in summer,

the summer dress in winter.

Outside, the breeze shifts the weeds
against the curb -
the last sweater never claimed.
No name, no tag,
just the weight of something once needed,
folded into the dark.


New Smryna Beach, Florida

DADDY IS COLD

Peaks Island, Maine

DADDY IS COLD

DADDY IS COLD-COME WARM HIM UP.

Nothing I do, nothing I feel,

feels like it did with you.
Who would dare suppose such a thing?

The twitching id of perpetual need,

a litany of denials—

life itself, a fragile compassion.

DADDY IS COLD-COME WARM HIM UP.

Nothing I do, nothing I feel,

feels like it did with you.
Who would dare suppose such a thing?

The twitching id, hungry, restless,

denying itself, devouring itself.
Nothing I do, nothing I feel,

feels like it did with you.


A litany of denials—

a shivering need—

life itself, an unanswered call.
A litany of denials.

Who would dare suppose such a thing?

Life itself—

DADDY IS COLD-COME WARM HIM UP.

Possum in a Peanut

Of all the things in this store—

packs of art supplies, joke collections,

a ceramic dish shaped like an alligator—

the kid chooses this.
A plastic possum, mid-smile, stuffed in a peanut,
wheels tucked beneath its shell,

a promise printed on the box:

Pull them back… Watch them go!

The kid grabs it off the shelf,

laughing like it’s the best thing in the world—
he holds it up to his dad, eyes full of wonder.

“Watch it go!” he says,

and with a flick of his hand,

the tiny wheels stutter across the counter.

I imagine a designer somewhere,

drafting the blueprint for this absurdity,

testing prototypes in a quiet room,

wondering if the world really needs it.

But the kid tugs at his dad’s sleeve,

laughing as the possum shudders forward.

And in this moment, yes,

the world needs exactly this.

Deland, Florida

Beach Chair

Somebody sat here once.
Drank a beer, maybe.
Watched the waves do
what they’ve always done.

Now it’s just a chair,
tilted, half-stuck in the sand.
The ocean moves on.
The wind keeps blowing.

No big revelations.
No meaning to dig up.
Just the tide coming in,
the tide going out.

And if nobody comes back,
the chair will stay
until the sea takes it,
or someone else sits down.

New Smyrna Beach, Florida

Miksang #1

Miksang photography, rooted in Tibetan Buddhism, is a contemplative approach that emphasizes pure perception and deep seeing. It encourages photographers to capture the world as it is, free from judgment or conceptual overlays. By slowing down and cultivating awareness, Miksang practitioners find beauty in ordinary moments—patterns, colors, textures, and light—revealing a sense of harmony in everyday life. This practice is less about technical skill and more about a direct, heartfelt connection with what is seen, fostering mindfulness and a meditative state through the act of photography.

Border Café

The road pauses here, a breath held too long,
where the past drifts in like the smell of grease,
clings to the walls, the cracked vinyl seats,
ice melting in cheap whiskey, untouched.

The door wails like a lost chord in the night,
a bluesman’s lament bending in the wind.
Men with faraway eyes sit without speaking,
watching the clock melt minute by minute.

Memory flickers in the fluorescent hum,
faces blurred, half-formed, unfinished dreams.
A hand idly traces the bar’s old scars,
as if feeling for the line between what was and what could have been.

Outside, the wind rises, turns in on itself,
a thought abandoned before it was spoken,
a traveler passing through the dark,
caught between staying and vanishing.

Jackman, Maine

Laundry and Enlightenment

the sheets hang like tired ghosts,
draped over the line, sagging, waiting.
I watch them move, slow, lazy,
like they know something I don’t.

the sun beats down,
soap and sweat mix in the air.
I take a breath, deep and steady,
the wind hums something almost holy.

maybe this is enlightenment—
pinning up the mundane,
watching it sway,
waiting for something to rise.

but then the wind picks up,
a shirt flies off the line,
lands in the dirt,
so much for transcendence.

Colombo, Sri Lanka

Draped With Indifference

sunlight kisses plastic skin,
lips frozen mid-thought—
but no thoughts ever come.


she leans into the world like she owns it,
but she owns nothing, not even herself.

shadows curl against the woolen weave,
a careless shrug stitched in fabric and pose.


too cool to notice, too empty to try,
just another hollow queen of display.

white-rimmed eyes, frozen in mid-glance,
survey the world with practiced boredom.


behind the glass, people move with purpose—
she holds none, and wears it well.

yet someone will stop and stare,
searching for meaning in her vacant grace.


and when night creeps in, she stays,
same pose, same stare, same nothing.

Portland, Maine

Priceless Jazz Collection Part 1 – May 20, 2024


The “Priceless Jazz” series is a collection of jazz albums released by the jazz record label GRP Records. The series features compilation albums highlighting the work of various jazz artists, often focusing on specific periods or aspects of their careers. These albums typically include tracks from the artists’ catalogues, showcasing their most significant recordings. The series aims to introduce listeners to the timeless and influential works of jazz legends.

Playlist:

00:00 Pharoah Sanders – Astral Traveling
07:36 Keith Jarrett – Bop-Be
14:30 Alice Coltrane – Blue Nile
21:28 Freddie Hubbard – Freddie Hubbard
27.56 Billie Holiday – Porgy
30:51 Gato Barbieri – Nunca Mas
36:16 McCoy Tyner Trio – Inception
40:41 John Klemmer; Dave Grusin; Larry Carlton -Touch
47:28 The Brecker Brothers – African Skies
57:59 Ramsey Lewis; Ramsey Lewis Trio – Wade In The Water