









This week’s show is a celebration of sonic invention, genre-defiance, and creative collaboration. We’re diving deep into the world of Bang on a Can, a musical collective that’s been reshaping the sound of contemporary classical and experimental music since the late 1980s.
Bang on a Can was founded in 1987 by composers Julia Wolfe, David Lang, and Michael Gordon. Frustrated by the boundaries of academic classical music and inspired by punk, minimalism, noise, world music, and jazz, they envisioned a space where new music could thrive—wild, visceral, and unbound by category.
What started as a marathon concert in a SoHo art gallery became a movement: a group, a label, a festival, a touring ensemble—the Bang on a Can All-Stars—and an ecosystem supporting boundary-pushing music around the world. Today’s playlist features founding composers, All-Star performers, guest artists, and offshoot collaborations.
Playlist for the week of July 14, 2025:
00:00:00 Michael Gordon; Bang On A Can All-Stars – “Gene Takes a Drink”
00:09:55 Conlon Nancarrow (arr. Ziporyn) – “Studies for Player Piano No. 3c: Boogie-Woogie Suite”
00:13:16 Julia Wolfe; Choir of Trinity Wall Street – Anthracite Fields: IV. Flowers
00:19:53 van Ziporyn – Music from Shadowbang: No. 1 Angkat
00:22:53 Jeffrey Brooks – After the Treewatcher
00:30:43 Meredith Monk – The Games: Spaceship
00:35:02 Julia Wolfe – “Reeling”
00:43:02 Don Byron – “Fyodorovich”
00:45:25 Michael Gordon; Icebreaker – “Yo Shakespeare”
00:56:09 Terry Riley – “See Them Out There”
00:59:00 David Lang – “Cheating, Lying, Stealing”
01:09:30 Lao Luo & 龔琳娜 – “Tan Te”
01:12:54 Brian Eno; Robert Wyatt; Rhett Davies – “1/2”
01:21:46 Kyaw Kyaw Naing – “Seik Kyu Ahla (Version 2)”
01:26:15 Julia Wolfe – “Big Beautiful Dark and Scary”
A Reminder:
Next To Silence streams live at:
1700AM and on the web at PeaksIslandRadio.com
On:
Mondays Fridays @7:00PM
Tuesdays @Noon
Thanks for listening.
Dave
Show me your original face before you were born.
—Zen Koan
I walked in
because I thought I could leave
myself behind.
The trees didn’t care.
The leaves kept falling—
with or without me.
I stood by the water
and saw a face.
Not mine.
Just shape and light—
no owner.
We want to believe
in something that stays.
But even stillness
moves
if you sit long enough.
Belief, doubt—
they’re just names.
What’s real doesn’t speak.
It doesn’t need to.
I turned back
and left nothing behind.
Nothing was ever mine
to begin with.

Peaks Island, Maine
This week Next to Silence presents some the best recordings of 1970’s Ghanaian guitar Highlife.
The early 1970s marked a golden chapter in Ghanaian highlife music—a moment when village wisdom, city innovation, and post-independence energy converged in song. This was music built for both the dance floor and the spirit, composed of storytelling lyrics, percussive drive, and glowing melodic lines that seemed to float above it all. What you’ll hear in this playlist is a living memory of Ghana’s musical heartbeat—highlife in its guitar-band prime.
These are songs to move to, but also to sit with. They come from the people, and they bring the people together. These songs are meditations in groove, built to move both body and spirit. Let’s step into the pulse of early 70s Ghanaian highlife.
This show is dedicated to my brothers and sisters of Peace Corps Ghana 1970, along with the former students and teachers at Kadjebi Secondary School.
Playlist week of July 7, 2025:
00:00:00 African Brothers International Band – Ɛna Ɛye A Mane Me
00:08:01 Francis Kenya; The Riches Big Band – Ensuah Nzema Kotoko – The Nezema Kotoko Family
00:14:16 Oyihwam Internationals – Anoma Franoas
00:22:08 Ashanti Afrika-Jah Int Band of Ghana – Ede Mabo
00:29:41 African Brothers International Band – Abusua Nnyɛ Asafo
00:32:59 Mangwana Stars – Atiadele
00:40:07 Kweku Dei; Guyoyo Guitar Band – Osikuni Atamfo (Gossiper Enemies)
00:45:26 City Boys Band – Nye Asem Hwe
00:52:04 F. Kenya – Engame Ma Menko
00:57:43 African Brothers International Band – Ebi Te Yie
01:01:08 St. Peter and The Holy Men – Bofoo Beye Abowa Den
01:04:20 F. Kenya – Nyameco
01:12:12 Nana Kwame Ampadu – Mede Aseda
01:19:50 Francis Kenya; The Riches Big Band – Madame Zehae Ala – Just As I Am
A Reminder:
Next To Silence streams live at:
1700AM and on the web at PeaksIslandRadio.com
On:
Mondays Fridays @7:00PM
Tuesdays @Noon
Thanks for listening, Dave
In a shed
behind a boat
a giraffe hugs
a mannequin
in lingerie.
She’s taped up
like hope
with no follow-through.
Left breast: duct tape.
Right breast: same.
They appear
to be having
a moment.
One arm raised,
one finger pointing—
at what?
Nobody knows.
Maybe God.
Maybe the fuse box.
You cannot
roller skate
in a buffalo herd.
But you can
make eye contact
with a fiberglass giraffe
and feel
understood.
Do giraffes
recognize mirth?
If so,
they hide their tell.
Too much thinking
chokes the magic.
Too much seriousness
snaps the string.
Let it be—
and the surreal settles
like a memory
of an almost familiar song.
Just look.
Don’t ask.
Sit still.
Don’t name it.
Don’t fix it.
Just—
watch.
People want meaning.
They want cause
and effect,
a punchline
with timing.
But not everything
needs to resolve.
A mannequin.
A giraffe.
Some duct tape.
And the question:
Do giraffes recognize mirth?
Or are they simply better
at not needing to?
Sense arrives late
and ruins the view.
You cannot
roller skate
in a buffalo herd.
But here,
you can listen
to plastic silence,
witness
unorthodox congeniality,
and know,
without knowing,
that stillness lives
in the unsolved.

Porter Lake, Maine