




















Closed:
quiet respite
without demands,
propped seatside down
on a marble floor,
the night’s memory mopped clean,
and free from the weight
of butted burdens;
resting
with the good intentions
of another day.











A silent narrative
underlies her humanness;
her every action
an overflow of flimsy meaning,
every response
choked with blather and woes.
No escape of disenchantment
from the vaporous mist
of her consumption.
Lacking spirit
and amazement,
she closes her eyes
and shaves her head
to ward of perplexity.
With weary eyebrows
and caterpillar lashes
she paints herself
for war against
not enough;
to feel alive,
to truly matter,
yet is cumbered
in the cheerless gravity
of discontent
that never fades away.

Bear leans over
and tells the porcelain dolls
a dirty joke.
Mythic perfection of
their rigid cheeks,
painted blush,
radiates the fragile aura of love;
their giggles disguise
their ruffled discomfort.
Self-possessed, Baldy sez:
"put a lid on it Teddy,
we are to be cherished
and require protection,
not titillation."

They really want you.
They really do.
You gotta believe in something,
in this,
in that,
and the other thing,
in anything really.
Mind as well go with this.
It’s easy.
It’s here.
It takes no effort.
It demands nothing of you,
and you’re not alone.

Makeshift roadside attraction,
caters to fearful curiosity.

If the discourse of enchantment
is most heartily encapsulated
in the prosperity message
of today’s megachurches,
the program of action is to
mitigate the social cost
of adjustment, which
rapidly depreciates that display -
a syncretic zodiac of variant sentiment.
Deep mythological resources charged
and ultimately
unsatisfying eschatology;
traverses space,
foreshadowing the demarcation
of time.
Fissure - just setting in
vicissitudes of characterization,
of horizontal archeologies
and spatial aggressions.

Cardboard bird man:
illusion of flight,
unburdened freedom;
a poet.










