The Primate Effect

It is that period between daylight and dusk and I am in an open space near my home. In the neighborhood I hear a cacophony of chattering, screeching, howling, and squealing.  The sounds are too high pitched to be monkeys, which are not found in this neighborhood, so it must be children. I wonder if they are entering the “primal developmental stage” that I’ve been reading about. Maybe that is the reason why their parents brought them to this solitary location, and allow them to play together in the safety of twilight. I listen carefully to their ear-piercing shrieks in an attempt to detect a rhythmic drop in tone that indicates the biological change from human to primate. This would be one of those rare moments of marvel for me that holds a place in memory like a prized piece of art in one’s home.

I know that the biological change doesn’t happen often (nor does a moment of marvel), but according to what I now know, this is a fragile developmental stage childhood stage that occurs somewhere between the end of toddlerhood, soon after learning to say “no,” and early childhood when children improve upon their fine and gross motor skill. There is a potential bump in DNA sequencing and the child begins to develop into a monkey. Scientists do not know what causes the developmental aberration, but suspects that it may be triggered by some sort of trauma. It is estimated that its occurrence was one in a billion, except for certain periods and locations, like the Middle Ages in Europe, after the atomic bombs were dropped in Japan, during civil wars and coups, and in some  swampy areas of the Deep South and Roswell, New Mexico where it’s rumored to still be prevalent but is kept a secret.

Children do not turn into monkeys, but develop certain attributes. The more prevalent ones are an insatiable desire for bananas and other fruit; a penchant for scratching, especially their arms and legs which has grown inordinate amounts of hair;  screeches when they are anxious or displeased; and an occasional forgetting of words or phrases, where they revert to gestures and sounds.  

I listen closely to the squeals. It seems like the four distinct tonalities broadcast a sense of playfulness. Being curious I walk down the dirt road and see four little girls, ranging in age from from to seven. Seeing them so happy playing together initially sends a current of elation through me, that quickly turns into dread. I’m scared that something I do might trigger the primate response and I carefully retreat back to my house where I feel safer and distanced from their well-being. 

A jetliner roars overhead and I believe I see passengers looking from their windows.

Cosmic Hoarding

Abruptly I notice that there is no more room in the universe or in my mind for anymore objects and maybe anymore thoughts. Everything has stopped. There’s an absence of energy, light, sensation, or sound. My breath sputters.What remains is an overwhelming sense of solidity.  Space is, in every respect, filled. There is a complete standstill, an existential paralysis making any ambition or action impossible.

This is it I think, all I can do is wait it out.

Things begin to gradually loosen up. Cracks penetrate the dense solidity. I feel my chest slowly relaxing, my breath deepening. As space opens up I sense that things become free of each other. It remains dark.

I may have fallen asleep or fainted and when I awake I find three objects at my feet: an open box, the number 10, and the color red.

I feel relief that my mind accommodates to thinking once more, yet my vision continues to be limited to what’s in front of my face. I’m not sure what to do and I don’t want to make any mistakes. I move cautiously through the area. I find a large envelope and place the open box, the number 10, and the color red inside. Sealing the envelope I address it to myself.

I leave the area of darkness and search for a mailbox.

The Challenge of Three Small Bags

I am in a small cabin. There might be a bed in it, but I’m not sure because I’m presented with an enormous red canvas bag. I do not know how it appeared, but I’m certain that my task is to sort through the stuff and place them into the smaller bags. There are no instructions. I take the smaller red bags, open them, and place them neatly on the floors , one next to the other, with enough distance between them  to create a separation. This is important because it somehow clarifies the classification of the contents in the large bag.

I begin to dig through the large bag. At first I do not recognize any of the objects. They are abstract shapes, unusual colors, and unconventional designs. As I dig deeper I find familiar objects: a camera, fountain pens, a notebook, a couple of different kinds of balls, an unwrinkled black tee shirt. I think: one of the categories is “useful things.” I stack these objects atop one of the small bags. I find a pile of photographs and correspondences from people from my present or past life: dispatches, postcards from other places I’ve never visited, birthday, anniversary and holiday cards. I think: these are not useful but they are memories. I put them on top of a second small bag.

Digging deeper I find some old notebooks and books that are dogeared and filled with underlines and annotations. I place them on the second pile. I’m still puzzled by the strange objects which make no sense. There are no words to describe the shapes and textures, and the designs defy any possible description.

I notice that the cabin is completely empty except for the bags and their content, and looking out the sliding doors I notice that I’m on a ship that is traveling on a fairly calm sea.

The large bag is empty and the pile of abstract objects makes a colorful and curious display. I think that there is a similarity to these things and since I do not recognize them. Looking at the other two piles I categorize one as important useful objects and the other as memories. Feeling good that I have come to some sort of resolution to this challenge I have an insight: these odd colorful objects seem not to have a discernible meaning, but have a semblance to thoughts, ideas and emotions that on an unconscious level I have been a part of my experience at one time or another.

And just maybe, the things I sort through and collect in the three bags may be the stuff of reality.

Nuclear Event

It is evening and I’m standing outside on the edge of a road leading out of a town that is unknown to me. Unknown because I have never been here before. I do not recognize the place, yet there is a sense of deja vu. There are no other people about, yet I don’t feel alone. I understand just what it means to be comfortable in your own skin. I find that I am comfortable everywhere. I think that maybe I have the good fortune to never be in harm’s way.

 As I look up at the stars there was a blast of light miles away from me, down the road and way out of town. It lights up the buildings, streets, parked vehicles and clumps of trees. The burst of light evaporates, leaving the night sky glowing with a hazy, putrid pinkish-yellow pallor. I hear someone say that it was an atomic explosion. Sirens sound and loudspeakers advise people to either wear their masks  or just not breathe. I don’t see any loudspeakers and do not know where that advice was coming from. People start emerging from their dwellings and making a a panicked and exaggerated show of donning the cloth masks once worm during the height of the epidemic. I don’t have a mask and find it absurd to hold my breath. 

I tell myself: Fuck it. I take a couple of deep breaths. I feel some relief from the tension and fear in the air. I come to the conclusion that I’ve lived long enough in this interesting world, that I had my fill of wonder and joy, and have no interest surviving in a world that is seriously compromised by a possible apocalyptic event. I do not want to live in a place where everyday promises to be a struggle. Nope.

I defiantly take some deep breaths and wait to see what will happen next.

Nothing does.

Just Wait

I’m in a different place. It’s on the edge of town, and nothing seems to be moving. There are no other people here. The trees are as still as the empty streets. There is no sound. Not the buzzing in my ears nor the beat of my heart. I notice that there is only one building in the area, which looks like a large white cube with a couple of windows. The rest of the area is indistinct, as is the time of day. The structure is not alive in the sense that buildings are alive; its accumulated history of its construction and usage. I feel that disorienting sensation of encountering something new and foreign. I hesitate to give this experience a name. I do not try to understand it.

Instead, I sit down on a boulder that looks like it’s part of a monument, and I wait. Wait for what? I don’t know. Maybe a sign, maybe a gesture, an insight or a revelation. Maybe for something to happen.

I sit and just wait. I notice that the waiting is peaceful, calming. I don’t expect anything to happen, and I don’t mentally chase after anything. Being in this place of silence and stillness is enough, and I feel absorbed by the simplicity of being here. I don’t want anything else and surrender.

Then something happens. It’s almost imperceptible, but the building slowly comes alive. It still looks the same – a large white cube – but it becomes more than a large white cube. I do not know what. It continues to be a mystery to me, but it’s no longer devoid of historic qualities. I do not probe any further. Instead, I find joy in the process of waiting, enjoy the stillness of the place, and the payoff of my patience. I come to the realization that everything – trees, rocks, streets, clouds, buildings, creatures big and small are all alive with their accumulated history, and in silence does this aliveness reveal itself.