He don’t give a damn that his glasses aren’t prescription, cuz he don’t know how to read, except the musky scent of Ohh La La.
He’s been cool since he was a kid and damn well knows it.
He digs the attention and a dry, shady corner to think of days gone by and to goat dream away of scaling mountains, and climbing trees, and with an audience he looks down at us and sez with confidence: Look what I can do
Physical beauty is nothing, Death will come in your sleep. Enjoy life.
My jolly has gone abroad, Nocturnal lady. Love doesn’t die completely There are varieties: Money, Handcuffs, Groundnuts. It’s really pained me, My darling, be patient.
* Gyae o, Ahoofe Ntua Ka Physical beauty is nothing
This is the second in a series of found poems constructed from the titles of Ghanaian Highlife songs from the 1960’s.
With the uneasy laugh of horror The World Clown Association decided to put on a skit: two balloons under their bosoms and carbon dioxide sparklers. The balloons didn’t fill up equally, and there were butt prints in the dough.
Custom is the king of all; they would wish to get paid to devour the corpses of their fathers.
That way they’ll be happy.
Animated ornaments at the Kitty Cantina; The Heavyweight Sisters, Dark Monkeys, and The Mutual Benefit Society, obstructing government administration, negotiating worthless instruments;
their words were a desecration of silence, the transformation of radical ideas into culture, a diehard rejection of the idea that we ourselves might be one such cataclysm.
Human exceptionalism, the madness gene, gradually blinkered, like a star role from no-man’s land.
The dinosaurs came, got too big and fat, so they all died and turned into oil.