
The flow and aesthetic
of decay -
inclusive to all
species and tribes -
is ugliness.
that last gesture,
devoid of grace and
good deeds,
merciless and irreversible,
sentience last utterance,
a scream, a gasp,
a murmur,
a moan,
a vacant discard.

The flow and aesthetic
of decay -
inclusive to all
species and tribes -
is ugliness.
that last gesture,
devoid of grace and
good deeds,
merciless and irreversible,
sentience last utterance,
a scream, a gasp,
a murmur,
a moan,
a vacant discard.

Nightmare Alley -
desperate young lovers on the lam,
a wounded veteran who has forgotten his name,
an array of theoretical perspectives,
ostensible acts of violence.
Nocturne -
kids with dreams, a little fractured,
a man’s wife with nothing but larceny in her heart,
half-hearted romance where
“I” passes insensibly into “we,”
“my” becomes “our,”
and individual fate escapes commitment.
Desire for -
mirror images,
forlorn gazes
dream girls with flash hawk faces
the very sight gives new hope.
Poverty Row, where
everybody has an angle,
social murder is legitimized by war;
breakdown of suppressed agitation,
codified amusement,
and non-identity.
Modernist Mortal Music -
all heavy swing rhythm and
a loping low-key theme,
pondering a watershed of dissonance;
The Zeitgeist Theory -
downbeat and overrated.
Cutting Edge that unifies the technology
of making a fast buck, with:
psychopathic all-consuming conflagration,
retrograde ideas,
equally ominous
mercenary humiliations.
Having a big argument with myself,
and losing.

6:15 PM
Union Square
a black-hooded guy,
exuding youthful sincerity,
approached a kinda pretty girl
sitting next to me;
aquiline nose, runway thin,
wearing black leather boots
with gold studs in circular patterns.
with sweet-faced
I'm-not-a-con man subtext,
he talked of being an artist
interested in drawing people's
faces;
may I draw your pretty face?
yes, of course, she said.
with a black marker he began to
work, never taking his eyes off her,
asking her personal questions of small
consequence, the attention
being all.
where are you from?
any brothers and sisters?
where do you work?
while sketching her eyes, hair, lips, nose.
outline finished he sat down on the bench
and filled in details,
first with a yellow highlighter,
then a red marker.
the questions continued,
bourbon smooth.
she seemed intoxicated.
the drawing wasn't very good,
didn’t matter,
his moves were.
on the back of the portrait he wrote:
Kara & Mookie 4/21/14
Which he outlined with a red heart.
she took the drawing, thanked him,
folded it, put in her
pocketbook, then got up.
without any negotiation,
she left with him,
not arm-in-arm,
but nudging him
with her shoulder.
the smoothest pickup
I've ever witnessed.
it seemed too easy,
and I couldn't help
but think that within
the next hour
someone's heart was
going to get broken.

It’s not all chandeliers and shadows.
no matter how fine
the crystalline filigree of light
marks the darkness
in shifting monochrome geometries,
tempered by bandwidth and perception;
but holding steady
in these moments
of time.

The protagonist of my dreams
is often an ideal,
cool enough,
aware enough,
looking good in tight jeans and
black tee shirt;
an age chameleon who blends in
with everyone,
talented beyond effort and training.
Yet,
women don’t want me, and
men don’t want to be me.
Even in dreams
my powers are at an impasse.

A bellowing woolly rhino
crashes into a Pleistocene
clearing.
I can't shake these beasts
from my bones.
Stuck in the illusion that
we are changing,
or have changed,
or will change,
or even want to change
our lives,
take a good look
at yourself, and describe
what you see.
Energy and magnificence
make an argument viscerally
in a triumph over
vulgarity and speed.
Accomplice of a nameless
obscenity,
a metaphor for
nonconformity that affirms dark,
creative energies
that orthodox
political-religious-scientific
thought would repress.
Diabolical energies flow
with the most swiftness
and potency.
But in America
there is no recent poem
everyone in a bar
would recognize;
so turn up some
unsuspected star chart
that leads you off
in search of
evermore distant
constellations.

Litany of a nation;
beyond box scores, excrement,
and inflammatory holograms.
Litany of nothing;
scattered attention wasted
on gossip and garbage.
Litany of the end;
impatient benedictions of duplicity
by the dozens.
Litany of giving up;
throbbing exhaustion and
acceptance of an end.

empty movie theatre.
alone I walk through the darkened lobby
without a ticket,
and pass the concession stand,
unattended, with the comforting
chemical aroma of popcorn.
I take my seat,
always the same seat,
although the theatre is
consistently empty.
then I wait.
sometimes I'm excited,
sometimes I'm bored,
sometimes I'm agitated,
sometimes I fall asleep.
but always,
I wake up.

Mind-tired,
akimbo and askance
the twirling imbalance
and involuntary disappearance
of right procedures.
Lifestyle adjustments gone the way
of Rock and Rye,
longing for pineapple sweetness,
while immobile
within the splatter
of one’s own uniqueness.
Lost in concussed redemption,
skeletal wandering in forest
of pretense,
though devoted,
thoroughly,
to donning wings
and mask of
angelic impersonation.

Fleeting impatience,
maelstrom of
perpetual disintegration.