Disaster born to the world with outcast shamanic tones and urgent mechanics - entropy and chaos.
Turn away from the nauseous recoil of abomination, and rest with the phantom of unconsciousness, eager to be at peace, longing for relief and fascination.
That low register monotone growl, emanating from his gut, menacing oscillations of grinding gears command you to move the fuck back.
Stay still, give him space enough to assess your spirit.
It’s always personal with them.
That eloquence of duty, heightened senses in overdrive, the visceral gauge of your essence, smelling past fear for any bad intent; wet nose story construction, merely the first stage of judgment.
Then the stare; not into your eyes but through your flesh and marrow to a hidden nature you might not even know, painful mutilation leading to annihilation.
Lastly the ears perked and directed, scanning for any suggestive sound of weakness or threat.
Best stay calm and still.
With a favorable verdict you can relax and enjoy membership in his pack.
But then again, he does look malicious, and just may be wired to toy with you a bit before he takes a bite out of your leg.
Nightmare Alley - desperate young lovers on the lam, a wounded veteran who has forgotten his name, an array of theoretical perspectives, ostensible acts of violence.
Nocturne - kids with dreams, a little fractured, a man’s wife with nothing but larceny in her heart, half-hearted romance where “I” passes insensibly into “we,” “my” becomes “our,” and individual fate escapes commitment.
Desire for - mirror images, forlorn gazes dream girls with flash hawk faces the very sight gives new hope.
Poverty Row, where everybody has an angle, social murder is legitimized by war; breakdown of suppressed agitation, codified amusement, and non-identity.
Modernist Mortal Music - all heavy swing rhythm and a loping low-key theme, pondering a watershed of dissonance; The Zeitgeist Theory - downbeat and overrated.
Cutting Edge that unifies the technology of making a fast buck, with: psychopathic all-consuming conflagration, retrograde ideas, equally ominous mercenary humiliations.
6:15 PM Union Square a black-hooded guy, exuding youthful sincerity, approached a kinda pretty girl sitting next to me; aquiline nose, runway thin, wearing black leather boots with gold studs in circular patterns.
with sweet-faced I'm-not-a-con man subtext, he talked of being an artist interested in drawing people's faces;
may I draw your pretty face?
yes, of course, she said.
with a black marker he began to work, never taking his eyes off her, asking her personal questions of small consequence, the attention being all.
where are you from? any brothers and sisters? where do you work?
while sketching her eyes, hair, lips, nose.
outline finished he sat down on the bench and filled in details, first with a yellow highlighter, then a red marker.
the questions continued, bourbon smooth. she seemed intoxicated.
the drawing wasn't very good, didn’t matter, his moves were.
on the back of the portrait he wrote: Kara & Mookie 4/21/14 Which he outlined with a red heart.
she took the drawing, thanked him, folded it, put in her pocketbook, then got up.
without any negotiation, she left with him, not arm-in-arm, but nudging him with her shoulder.
the smoothest pickup I've ever witnessed.
it seemed too easy,
and I couldn't help but think that within the next hour someone's heart was going to get broken.