
Vermin scare sparks
disquiet alarm;
surge of toxic indignation.

Vermin scare sparks
disquiet alarm;
surge of toxic indignation.











Bygone songs
decorate our notion
of the world,
and mark it's limits.

Friendly travelers
casting off gravity,
transmission built to talk to ghosts,
a roadside distinction.
Just say this:
transit of spirit animals
nothing living,
don’t tell lies.
Beat spirit,
respirator buzz,
shadow gratitude,
confessions to my unborn daughter:
when the heart emerges glistening,
one mustn’t expect figs from thistles;
to see what other people don’t,
to see obstacles as inspirations -
to be a peaceful warrior
in an invisible cinema.

Dreamless and lost
in a mind of feathers and fancy;
headless
without ceiling,
nonsense drenched with
the unhinged conviction of
solidified knowing.
No, no;
it’s heedless
yoyo disintegration
of runaway spirits
scattered in the ceaseless tock
of arhythmic time.
Electrical metaphors,
impulsive,
unstable,
but oh so pretty;
previously seen in the spastic dance
of St Vitus gone a rye,
unplugged
in a 3:00 AM
torpor.

Annie Mulz was a stranger to herself,
feeling that nothing is real.
Asleep in the world,
losing the dice,
unable to play the game;
confused by a love
she never had,
invisible and nobody,
yet she has a name,
and that’s the beginning of something.

Every source of secret amusement
comes with the cost
of isolation, and
the threat of smugness -
conviction of a specialness,
a vestige of a
childhood inkling
that, inhaled
like some illicit powder,
maintains that delusion,
when the rough truth
remains:
it is not so.

Like everything else,
human connections shift;
from neglect,
from ineptness,
from the stranglehold
of family ghosts.
expectations demand retrofitting,
the broken remnants of disappointment
are discarded
onto the scrapheap
of loss.

Acquisition and clean up,
the things we do, and those
who are tasked with the remains
of our desire.
This nobility of mission,
of keeping things right,
unnoticed when accomplished,
issue of complaint
when left undone.
In the doing resides
dignity.
All else is failure.

With the uneasy laugh of horror
The World Clown Association decided
to put on a skit:
two balloons under their bosoms
and carbon dioxide sparklers.
The balloons didn’t fill up equally,
and there were butt prints in the dough.
Hidden incendiary girls,
mobilized vulnerability,
eat bitterness.
Boom, Boom!
Custom is the king of all;
they would wish to get paid to devour
the corpses of their fathers.
That way they’ll be happy.
Animated ornaments
at the Kitty Cantina;
The Heavyweight Sisters,
Dark Monkeys,
and The Mutual Benefit Society,
obstructing government administration,
negotiating worthless instruments;
their words were a desecration of silence,
the transformation of radical ideas
into culture, a diehard rejection
of the idea that we ourselves might be
one such cataclysm.
Human exceptionalism, the
madness gene,
gradually blinkered,
like a star role from no-man’s land.
The dinosaurs came,
got too big and fat,
so they all died
and turned into oil.