
Screw convention,
flaunt exotic desires,
outlaw notions:
rebel.

Screw convention,
flaunt exotic desires,
outlaw notions:
rebel.

Catastrophic:
her favorite word,
her hunger was
to marry money.

Faint notions of another life;
possible,
if you were someone else.

Pleasure the gratification void:
cop the deal,
you always need shoes.

Stardust dreams of immaculate perception
holy hymns of sacred friendship,
and reclaiming long lost love.
Chrome-plated memories of pickles,
endless cups of coffee,
long conversations
of constructing identities
and apprehensive realities.
Booth recitations
amid clatter and grease:
intimacies shared,
promises made,
loyalties sworn,
the unobstructed purity
of infinite possibility.

Bag of festering grief,
trapped in the never-ending night.
Ceaseless concussions
of suffocating loneliness,
nose dive collision
through terror and dread,
tumbling into pits
of perpetual loss.
Bare wire deprivation,
stripped of insulation,
discarded and raw,
The Nothing Draw -
no connection,
no sleep,
no dignity,
no pleasure,
no hope.
Abandoned and forgotten,
insatiable black hole remains,
the catastrophic gyre of misfortune and terror,.
Then:
Nothing
Nothing
Nothing.
Address unknown,
state of damnation;
not quite dead,
just live enough
to endure each day
with a broken heart.

6:15 PM
Union Square
a black-hooded guy,
exuding youthful sincerity,
approached a kinda pretty girl
sitting next to me;
aquiline nose, runway thin,
wearing black leather boots
with gold studs in circular patterns.
with sweet-faced
I'm-not-a-con man subtext,
he talked of being an artist
interested in drawing people's
faces;
may I draw your pretty face?
yes, of course, she said.
with a black marker he began to
work, never taking his eyes off her,
asking her personal questions of small
consequence, the attention
being all.
where are you from?
any brothers and sisters?
where do you work?
while sketching her eyes, hair, lips, nose.
outline finished he sat down on the bench
and filled in details,
first with a yellow highlighter,
then a red marker.
the questions continued,
bourbon smooth.
she seemed intoxicated.
the drawing wasn't very good,
didn’t matter,
his moves were.
on the back of the portrait he wrote:
Kara & Mookie 4/21/14
Which he outlined with a red heart.
she took the drawing, thanked him,
folded it, put in her
pocketbook, then got up.
without any negotiation,
she left with him,
not arm-in-arm,
but nudging him
with her shoulder.
the smoothest pickup
I've ever witnessed.
it seemed too easy,
and I couldn't help
but think that within
the next hour
someone's heart was
going to get broken.

It’s not all chandeliers and shadows.
no matter how fine
the crystalline filigree of light
marks the darkness
in shifting monochrome geometries,
tempered by bandwidth and perception;
but holding steady
in these moments
of time.

The protagonist of my dreams
is often an ideal,
cool enough,
aware enough,
looking good in tight jeans and
black tee shirt;
an age chameleon who blends in
with everyone,
talented beyond effort and training.
Yet,
women don’t want me, and
men don’t want to be me.
Even in dreams
my powers are at an impasse.

Mind-tired,
akimbo and askance
the twirling imbalance
and involuntary disappearance
of right procedures.
Lifestyle adjustments gone the way
of Rock and Rye,
longing for pineapple sweetness,
while immobile
within the splatter
of one’s own uniqueness.
Lost in concussed redemption,
skeletal wandering in forest
of pretense,
though devoted,
thoroughly,
to donning wings
and mask of
angelic impersonation.