











Clouds move
like thoughts—
shapeless, then clear,
then gone.
The wood beneath me
leans and softens.
A crab—small, rust-red—
clicks past
without meaning.
They say
the notion of emptiness
was understood here once.
No sermon.
No symbol.
Just the tide
covering what it could.
Not loss.
Not absence.
But space
for the self
to rise—
shadow and light
together.
The sea
keeps no stories.
It lifts,
it leaves.
I sit,
and let it.

Peaks Island, Maine




She came through the lobby
in heels that sounded like secrets,
dragging a suitcase that probably held regrets
neatly folded
next to a book of spells.
The clerk said she had
that look—
like she’d once been painted
on the side of a bomber plane,
or whispered about
in backseats and divorce papers.
They gave her Room 237,
because of course they did.
Where else would a woman like that stay
but down the hallway
that never quite ends?
She ordered champagne at midnight,
left no tip,
and signed the bill
“Love, Karma.”
Some say she rewrote dreams.
Others, that she stole them.
Mostly, she just waited—
watching time melt down the window
like candle wax.
Men dropped around her
like poker chips at a rigged table,
grinning through the gamble,
and left with their names
misspelled in the mirror.
When the flowers stopped
and the world got bored
of her perfume and promise,
she slipped into the velvet-lined box
beneath the lobby gift shop,
a mannequin saint
with sale tags on her sins
and a crucifix worn
like costume jewelry.
Now tourists lean in,
take photos,
whisper,
"Wasn’t she someone?"
And somewhere—
behind the front desk,
or in the static of the lobby jazz—
the universe clears its throat,
adjusts its tie,
and laughs,
quietly,
into its infinite hand.

Scarborough, Maine
1.
The moon said:
“Your shadow has been impersonating you.”
The crow cocked his head,
pecked once at his feet,
and stared behind himself
like betrayal might be hiding
just past the tail feathers.
2.
The moon said:
“I watched you steal fire from a god
then choke on the smoke.”
The crow flared his wings,
feathers bristling like broken knives.
He remembered that sky—
the burning alphabet,
the gods cursing in reverse,
the ash that clung to his beak
for a thousand silent winters.
3.
The moon said:
“Worms dream louder than birds.”
The crow blinked hard,
his eyes fogged over
like windshields in winter,
and he let out a caw
that sounded more like a question
than a cry.
4.
The moon said:
“The sky is a lid. You’re inside the jar.”
The crow twitched.
One wing spasmed,
his claws tightened on the crescent—
clutching not for balance,
but for the memory of escape.
5.
The moon said:
“You were never born.
You’ve just been very committed to the act.”
The crow went still.
His pupils dilated into voids.
He opened his beak,
but nothing came out.
Even silence abandoned him.
6.
The moon said:
“You’ve been flying in circles
because you’re the message, not the messenger.”
The crow froze.
No blink. No twitch.
As if time had taken a breath.
Inside his bones
a black wind stirred—
the old hunger,
the laughing void
that once tore language from the sky
and fed him its feathers.
He did not speak.
He did not move.
He simply fell inward—
like a stone into still water—
and from somewhere deeper than flight,
he heard it:
Everything you were waiting for
was you.

Peaks Island, Maine
Seven of Cups
They were Georgia boots,
Comfort Core.
No comfort left in that label now.
The soles gone to hell,
inlay peeled like burnt skin
on a summer drunk.
He used to wear 'em
to the docks—
not for the job
but to look like he had one.
Said the boots gave him posture
even when he had no spine.
The bench was his confessional.
"Seven cups," he muttered once,
“they all looked good
in the morning fog."
Money.
A woman who called him “baby.”
A trailer with a flag and a fridge
full of cheap beer.
A crappy transistor radio
always tuned to the same static.
He liked the noise more than silence—
said silence reminded him
of his old man’s fists
and the day he slammed the door
and never came back.
She came like the others—
eyes like storm warnings,
barefoot in winter,
mouth full of someone else’s songs.
He loved her the way
you love a fire:
too close,
too long,
burned down to bone.
Every choice a ghost
that kissed his cheek
and walked off with his wallet.
He died right there,
on the bench that knew his weight,
where the pigeons ignored him
and the cops didn’t bother.
Boots side by side,
one insole flopped out
like a tired tongue.
A half-smoked cigarette still warm
in the groove of the slats.
No note. No name.
Just a man who picked
the wrong cup
too many times.

Portland, Maine
The wolf should've snapped her neck.
The deer should've bolted.
hat's the law, right?
Kill or run.
How it's supposed to be.
How it always was.
But here they are -
him in a secondhand suit
smelling like old rain and bad decisions,
her draped in a dress made of soft mistakes.
He's thinking,
another kill won't fix the hunger.
She's thinking,
another escape won't fix the fear.
And outside the glass,
the world hums along,
hungry for blood,
hungry for failure,
hungry for the beautiful ruin of it all.
They lean into each other
like broken doors swinging on the last hinge,
not lovers,
not saviors,
just two things too tired to keep lying.
The world wants them to hate,
to run,
to tear each other apart.
What they do instead -
this slow, brutal, stupid tenderness -
is the worst kind of rebellion.
The glass between them and the street
is spidered with cracks -
each one a little white lie the world told,
each one a rule they broke.
He's melting at the edges now,
becoming a man, becoming a memory,
becoming something the wolf was never meant to be.
She shimmers,
not prey anymore,
not even real maybe,
just some miracle walking
through the wreckage.
Sirens smear across the sky,
time drips down the walls,
and still they sit -
choosing each other in a world that stopped believing.
This is what survival looks like sometimes:
not teeth,
not speed,
but a hand on a shoulder,
a weight leaned into,
a promise made with nothing but breath.
and they sit shoulder to shoulder,
defying the ugly machines that built them,
trading the last thing that matters:
the stupid, beautiful, suicidal act
of choosing tenderness
when nothing else makes sense.

Lenox, Massachusetts
I pass him every morning
on my way to the bus—
the skeleton with wings,
painted crooked on the bodega wall.
At first, he made me uneasy.
Too bold, too broken,
arms raised like he knew something
I didn’t want to hear.
The words above his head—
I’M NO LONGER BROKEN—
felt like a dare.
Who says that out loud?
But weeks turned into months,
and somehow
I started looking for him.
On gray days
his grin felt like defiance.
On warm mornings
the light hit just right,
like he was lit from the inside.
People tagged around him,
but no one painted over.
Not once.
I don’t believe in miracles,
but I believe in
what you get used to,
what grows on you,
what begins to speak
without ever moving its lips.
These days,
I nod to him—
a small, silent thing.
Not because I understand,
but because I think
he sees me, too.

New York City
The boardwalk ends like a pension plan
that stopped showing up.
A sign says area closed,
but the ocean never followed rules.
Planks slump like ex-employees
waiting for purpose to call back.
Shadows come and go—
no clock, no punchline, just habit.
They called it retirement—
a view, some quiet, the slow reward.
But it feels more like a layoff
nobody bothered to announce.
No memos, no coffee, no names left to forget.
Just wind filing its own report.
I lean on the rail, light fading.
So this is what all the meetings were for.

New Smyrna Beach, Florida