the posters scream LET’Z PARTY
but the sidewalk says fuck that.
she leans against the wall,
black crop top stamped FAKE,
chains swinging from her skirt,
boots laced high like battle armor.
studded choker tight around her throat,
a promise of restraint she dares to defy.
the photographer crouches,
camera shaking, hands too tight—
trying to catch her in the totality of his desires—
sharp, brilliant, untouchable.
the lens bends the moment,
shadows stretch over concrete,
but Fake doesn’t see him
not past the lens, not past the wanting.
what is fake if the moment is real?
what is real if the moment is lost?
she tilts her head, lips parted, an almost-smirk,
that flirts with invitation, but lands in indifference.
her eyes flickering past the lens, slipping through the frame,
leaving the photographer stranded in her self-regard.
he has already said too much
in the way he bows, head low, as if in prayer,
in the way she swallows his admiration.
and when Fake walks away—
because of course she will—
hips swinging, metal clinking,
her shadow stretching long in the heat,
she won’t turn back,
won’t see the camera lower,
won’t notice the photographer staring
at the empty space she leaves behind,
like a fool who thought
she ever could have been his.

Miami, Florida













